As usual for Somali recordings of this vintage, the audio quality of these songs is not up to modern standards, but I'm sure you'll agree that their musical and historical qualities more than compensate. Here's what Sanaag has to say about them:
Dur Dur - Shaacaan Ka Qaadaa
Dur Dur - Rag Kaleeto Maa Kuu Riyaaqayee?
Dur Dur - Doobnimaadey Maka Dogoownee
Sunday, April 17, 2011
Saturday, November 14, 2009
If you like the music of Somalia's Iftin and Dur Dur, featured some time ago in this space, let me direct your attention to Andreas Wetter's new blog Kezira, whose latest post features a whole cassette by Dur Dur, recorded some time in the early 1990s.
As Andreas tells it, the developing civil war in Somalia forced the group across the border to Ethiopia, where Africa was recorded and released by Elham Video Electronics in the provincial town of Negele. Vocalist Sahra Dawo, who has drawn raves hereabouts, features on several tracks.
While I'm at it, let me comment on the current state of the African music blogosphere, whose quality has advanced dramatically in the last couple of years. Notable in this regard are three sites - African Music Treasures, Electric Jive and World Service, whose proprietors regularly grace us with their knowledge and insight. This is not to slight outstanding work also by Oro, Global Groove and Freedom Blues, whose copious postings of hard-to-find recordings have forced me to buy a new hard drive. I'm overwhelmed really - I just haven't had time to listen to all the great music that's come my way, thanks to these busy beavers.
Sunday, December 9, 2007
I wrote in my first posting that through Likembe I sought to educate but also hoped to be educated. The response to the post Somali Mystery Funk has certainly borne out that expectation - in fact it's yielded an embarrassment of riches. Our friend Sanaag, who so kindly provided information on the songs in that posting, has answered a number of questions I posed to him, which provide essential background on Somali music. I specifically asked about Sahra Dawo (above), who sang lead on two of those tracks by Iftin, and the group Durdur, which she fronted. I'm just going to let Sanaag speak for himself. This is the first of several postings.
Sahra Dawo was a pop star in the 80's and probably up 'til now. As the lead singer of Durdur, she was very popular with the younger generations, specially teenagers and twentysomethings, including me at the time. I am not sure how she did with the general public. As far as I know, she didn't strike a strong chord with the older audience probably because of the obvious dissonance between her lyrics (often emotional) and music (usually joyful with sometimes an over-the-top acts in live performances).
Durdur (rivulet, creek, streamlet...) was simultaneously Iftin's little cousin and rival; they started their career in the late '70s or early '80s and were quite influneced by Iftin which was founded about a decade earlier, I think around 1970. I vaguely remember that some of Durdur's musicians had learnt their craft as trainees with/friends of Iftin.
In "Juba Juba Aaka Aka Sholo Lob" Sahra Dawo & Durdur are singing about their mutual love in a Southern dialect that I don't understand very well as I come from the North, a + 1000 km walk. The title sounds like a sort of Somali scat singing without any specific meaning. Juba or Jubba is the biggest river in Somalia. It's also the name of a famous hotel in Mogadishu where Durdur often performed. I believe some/many of their videos were recorded there:
By the way, this kind of music is quite popular in Somalia. It's actually the transcription of shareero music on modern instruments. Shareero is an old Somali instrument:
In comparison with many/most contemporary bands, Durdur & Iftin were quite atypical in the sense that their lyrics were often simple, almost exclusively about (the pains of) love and totally non-political. Iftin also sang about the importance of education (a ministerial obligation, I suppose) as illustrated in this song, "Toban Weeye Shaqalladu" (The Ten Vowels):
Iftin - Toban Weeye Shaqalladu
For most Somalis, the lyrics are at the very least as important as the music. 'The Nation of Poets' is one of Somalia's nicknames; hence the wild popularity of poetry cassettes you referred to in your post. Moreover, art was one of the major channels - if not the major channel - to ventilate dissidence during the [Siad Barre] dictatorship. Even when love was the subject matter, as was often the case in lyrics, the socio-political message was up for grabs beneath the surface. Iftin's (forced?) marriage with the authorities was probably the culprit for their political and poetic castration. I don't know why Durdur acted like an ostrich; as far as I know they were not sponsored by the Government.
"Ligligaan Jacaylkiii Hayaa" means "Holding On to Love With Tremors." It is also known as "Mays Af Garanaa?" - "Shall We Strike A Deal (and Become Partners)":
Sahra Dawo & Durdur - Ligligaan Jacaylkii Hayaa
"Wax la Aaminaan Jirin" - "Nobody to Confide In, Nothing To Trust." This is a parable for 'betrayed love and careless environment'. The girl is pregnant but the guy is shunning the responsibility and she's reluctant to talk with her family/friends as pregnancy out of wedlock is a social stigma:
"Gucliyo Orod" - "Trot and Gallop/Dawdling and Darting." I am hardly familiar with this song and the sound is so distorted that it's difficult to decipher what exactly she's saying: